<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Art Matters</title>
	<atom:link href="http://artmattersfoundation.org/feed" rel="self" type="application/rss+xml" />
	<link>http://artmattersfoundation.org</link>
	<description></description>
	<lastBuildDate>Mon, 22 Apr 2013 18:52:57 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3</generator>
		<item>
		<title>Visit us on Facebook for 2013 news</title>
		<link>http://artmattersfoundation.org/facebooks</link>
		<comments>http://artmattersfoundation.org/facebooks#comments</comments>
		<pubDate>Mon, 22 Apr 2013 18:29:11 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/facebooks</guid>
		<description><![CDATA[Art Matters&#8217; website is going through some changes &#8211; please visit us on Facebook for all our goings on!]]></description>
			<content:encoded><![CDATA[<p>Art Matters&#8217; website is going through some changes &#8211; please visit us on Facebook for all our goings on!</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/facebooks/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Congratulations to our 2012 Art Matters Grantees!</title>
		<link>http://artmattersfoundation.org/2012-grantee</link>
		<comments>http://artmattersfoundation.org/2012-grantee#comments</comments>
		<pubDate>Mon, 17 Dec 2012 17:34:22 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/2012-grantee</guid>
		<description><![CDATA[Art Matters is pleased to announce 32 grants ranging in amounts of $3,000 &#8211; $10,000 to artists who are working on socially engaged projects with a local, national and/or global focus: &#160; &#160; Nicole Awai, Rozalinda Borcila, Che Chen, Sandra de la Loza, Sergio de la Torre, Harry Dodge, Daniel Duford, Kate Gilmore, Renée Green,]]></description>
			<content:encoded><![CDATA[<p>Art Matters is pleased to announce 32 grants ranging in amounts of $3,000 &#8211; $10,000 to artists who are working on socially engaged projects with a local, national and/or global focus:</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Nicole Awai, Rozalinda Borcila, Che Chen, Sandra de la Loza, Sergio de la Torre, Harry Dodge, Daniel Duford, Kate Gilmore, Renée Green, Wynne Greenwood, Trajal Harrell, Pablo Helguera, Laryssa Husiak, Mary Jeys, Jennie C. Jones, Vishal Jugdeo, Deana Lawson, Ander Mikalson, Irvin Morazan, Alison O’Daniel, Akosua Adoma Owusu, Vesna Pavlovi<em>ć</em>, Paul Pfeiffer, Postcommodity, Elaine Reichek, Miljohn Ruperto, Lisa Sigal, Hong-An Truong, Jono Vaughan, Stacy Lynn Waddell, Will Wilson, and Geo Wyeth.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/2012-grantee/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Nicole Awai</title>
		<link>http://artmattersfoundation.org/nicoleawai-3</link>
		<comments>http://artmattersfoundation.org/nicoleawai-3#comments</comments>
		<pubDate>Mon, 17 Dec 2012 01:37:48 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[A]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/nicoleawai-3</guid>
		<description><![CDATA[Support for travel to La Brea Pitch Lake in Trinidad. Image: Courtesy of the Artist.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to La Brea Pitch Lake in Trinidad.</p>
<p><span id="more-2112"></span></p>
<p>Image: Courtesy of the Artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/nicoleawai-3/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Postcommodity</title>
		<link>http://artmattersfoundation.org/postcommodity</link>
		<comments>http://artmattersfoundation.org/postcommodity#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:26:38 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[P]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/postcommodity</guid>
		<description><![CDATA[Support for The Repellent Fence, a site-specific installation and monument examining the Tohono O’odham border experience as a metaphor for the Western hemisphere’s larger Indigenous human rights crisis. Image: Courtesy of the Artist.]]></description>
			<content:encoded><![CDATA[<p>Support for <em>The Repellent Fence</em>, a site-specific installation and monument examining the Tohono O’odham border experience as a metaphor for the Western hemisphere’s larger Indigenous human rights crisis.</p>
<p><span id="more-2004"></span></p>
<p>Image: Courtesy of the Artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/postcommodity/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mary Jeys</title>
		<link>http://artmattersfoundation.org/maryjeys</link>
		<comments>http://artmattersfoundation.org/maryjeys#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:25:54 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[J]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/maryjeys</guid>
		<description><![CDATA[Support for ongoing work. Image: Mary Jeys, Prototype 2012. Courtesy of the Artist.]]></description>
			<content:encoded><![CDATA[<p>Support for ongoing work.</p>
<p><span id="more-2002"></span></p>
<p>Image: Mary Jeys, <em>Prototype 2012</em>. Courtesy of the Artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/maryjeys/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Geo Wyeth</title>
		<link>http://artmattersfoundation.org/geowyeth</link>
		<comments>http://artmattersfoundation.org/geowyeth#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:22:54 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[W]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/geowyeth</guid>
		<description><![CDATA[Support to document a series of site-specific, research-driven performances in rural South Carolina and Alabama as part of an ongoing performance project Haunts. Image: Geo Wyeth, So Fear Proof, 2011. Courtesy of the Artist.]]></description>
			<content:encoded><![CDATA[<p>Support to document a series of site-specific, research-driven performances in rural South Carolina and Alabama as part of an ongoing performance project <em>Haunts</em>.</p>
<p><span id="more-2000"></span></p>
<p>Image: Geo Wyeth, <em>So Fear Proof</em>, 2011. Courtesy of the Artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/geowyeth/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Will Wilson</title>
		<link>http://artmattersfoundation.org/willwilson</link>
		<comments>http://artmattersfoundation.org/willwilson#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:22:16 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[W]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/willwilson</guid>
		<description><![CDATA[Support for Towards a Critical Indigenous Photographic Exchange, a project inviting indigenous artists, arts professionals and tribal governance to engage in the performative ritual that is the studio portrait. Image: Courtesy of Artist.]]></description>
			<content:encoded><![CDATA[<p>Support for <em>Towards a Critical Indigenous Photographic Exchange</em>, a project inviting indigenous artists, arts professionals and tribal governance to engage in the performative ritual that is the studio portrait.</p>
<p><span id="more-1998"></span></p>
<p>Image: Courtesy of Artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/willwilson/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Stacy Lynn Waddell</title>
		<link>http://artmattersfoundation.org/stacylynnwaddell</link>
		<comments>http://artmattersfoundation.org/stacylynnwaddell#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:21:45 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[W]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/stacylynnwaddell</guid>
		<description><![CDATA[Support for ongoing work. Image: Stacy Lynn Waddell, Untitled (Island I), 2012. Courtesy of the Artist.]]></description>
			<content:encoded><![CDATA[<p>Support for ongoing work.</p>
<p><span id="more-1996"></span></p>
<p>Image<em>: </em>Stacy Lynn Waddell,<em> Untitled (Island I)</em>, 2012. Courtesy of the Artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/stacylynnwaddell/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Jono Vaughan</title>
		<link>http://artmattersfoundation.org/jonovaughan</link>
		<comments>http://artmattersfoundation.org/jonovaughan#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:21:08 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[V]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/jonovaughan</guid>
		<description><![CDATA[Support for ongoing work. Image: Jono Vaughan, The Back of my Head, 2012. Courtesy of the Artist.]]></description>
			<content:encoded><![CDATA[<p>Support for ongoing work.</p>
<p><span id="more-1994"></span></p>
<p>Image: Jono Vaughan, <em>The Back of my Head</em>, 2012. Courtesy of the Artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/jonovaughan/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Hong-An Truong</title>
		<link>http://artmattersfoundation.org/hongantruong</link>
		<comments>http://artmattersfoundation.org/hongantruong#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:20:27 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[T]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/hongantruong</guid>
		<description><![CDATA[Support for travel to Vietnam for the creation of the video A Chilly Night at a Desolate Palace, juxtaposing Stravinsky’s The Rite of Spring with the Vietnamese folk opera, Cai-Luong. Image: Hong-An Truong, untitled. Courtesy of the Artist.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to Vietnam for the creation of the video <em>A Chilly Night at a Desolate Palace</em>, juxtaposing Stravinsky’s The Rite of Spring with the Vietnamese folk opera, Cai-Luong.</p>
<p><span id="more-1992"></span></p>
<p>Image: Hong-An Truong, <em>untitled</em>. Courtesy of the Artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/hongantruong/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Lisa Sigal</title>
		<link>http://artmattersfoundation.org/lisasigal</link>
		<comments>http://artmattersfoundation.org/lisasigal#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:19:41 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[S]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/lisasigal</guid>
		<description><![CDATA[Support for ongoing work. Image: Lisa Sigal, Al Fresco. Photo: Andres Ramirez.]]></description>
			<content:encoded><![CDATA[<p>Support for ongoing work.</p>
<p><span id="more-1990"></span></p>
<p>Image: Lisa Sigal, <em>Al Fresco</em>. Photo: Andres Ramirez.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/lisasigal/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Miljohn Ruperto</title>
		<link>http://artmattersfoundation.org/miljohnrupert</link>
		<comments>http://artmattersfoundation.org/miljohnrupert#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:18:52 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[R]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/miljohnrupert</guid>
		<description><![CDATA[Support for a film project involving travel to Johannesburg, South Africa and England, for interviews with former members of an anti-apartheid group. Image: Miljohn Ruperto, Arden Cho as Isabel Rosario Cooper. Courtesy of the Artist.]]></description>
			<content:encoded><![CDATA[<p>Support for a film project involving travel to Johannesburg, South Africa and England, for interviews with former members of an anti-apartheid group.</p>
<p><span id="more-1988"></span></p>
<p>Image: Miljohn Ruperto, <em>Arden Cho as Isabel Rosario Cooper</em>. Courtesy of the Artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/miljohnrupert/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Elaine Reichek</title>
		<link>http://artmattersfoundation.org/elainereichek</link>
		<comments>http://artmattersfoundation.org/elainereichek#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:17:33 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[R]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/postcommodity</guid>
		<description><![CDATA[Support for travel to London for research on embroidery artist Mary Linwood. Image: Elaine Reichek, Ariadne&#8217;s Lament. Photo: Paul Kennedy.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to London for research on embroidery artist Mary Linwood.</p>
<p><span id="more-1985"></span></p>
<p>Image: Elaine Reichek<em>, Ariadne&#8217;s Lament</em>. Photo: Paul Kennedy.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/elainereichek/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Paul Pfeiffer</title>
		<link>http://artmattersfoundation.org/paulpfeiffer</link>
		<comments>http://artmattersfoundation.org/paulpfeiffer#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:16:49 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[P]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/paulpfeiffer</guid>
		<description><![CDATA[Support for the film Vitruvian Figure (2014), documenting the production process of the artist’s warehouse size architectural model of the Philippine Arena mega-church currently under construction in the outskirts of Manila. Image: Paul Pfeiffer, Vitruvian Figure, 2008. Courtesy of the Artist.]]></description>
			<content:encoded><![CDATA[<p>Support for the film <em>Vitruvian Figure (2014),</em> documenting the production process of the artist’s warehouse size architectural model of the Philippine Arena mega-church currently under construction in the outskirts of Manila.</p>
<p><span id="more-1983"></span></p>
<p>Image: Paul Pfeiffer, <em>Vitruvian Figure</em>, 2008. Courtesy of the Artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/paulpfeiffer/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Vesna Pavlović</title>
		<link>http://artmattersfoundation.org/vesnapavlovic</link>
		<comments>http://artmattersfoundation.org/vesnapavlovic#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:15:55 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[P]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/vesnapavlovic</guid>
		<description><![CDATA[Support for ongoing work. Image: Vesna Pavlović, Youth Day Celebration, Yugoslav National Army Stadium, May 25, 1979. Photo: Museum of Yugoslav History Belgrade.]]></description>
			<content:encoded><![CDATA[<p>Support for ongoing work.</p>
<p><span id="more-1981"></span></p>
<p>Image: Vesna Pavlović, <em>Youth Day Celebration, Yugoslav National Army Stadium, May 25, 1979</em>. Photo: Museum of Yugoslav History Belgrade.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/vesnapavlovic/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Akosua Adoma Owusu</title>
		<link>http://artmattersfoundation.org/akosuaadomaowusu</link>
		<comments>http://artmattersfoundation.org/akosuaadomaowusu#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:15:11 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[A]]></category>
		<category><![CDATA[J]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/akosuaadomaowusu</guid>
		<description><![CDATA[Support for travel to Ghana to Mexico City, to work on a film adaptation of a folk hero Kwaku Ananse, in West African fables. Image: Akosua Adoma Owusu, Kwaku Ananse. Courtesy of the Artist.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to Ghana to Mexico City, to work on a film adaptation of a folk hero Kwaku Ananse, in West African fables.</p>
<p><span id="more-1979"></span></p>
<p>Image: Akosua Adoma Owusu, <em>Kwaku Ananse</em>. Courtesy of the Artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/akosuaadomaowusu/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Alison O’Daniel</title>
		<link>http://artmattersfoundation.org/alisonodanie</link>
		<comments>http://artmattersfoundation.org/alisonodanie#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:14:30 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[O]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/alisonodanie</guid>
		<description><![CDATA[Support for The Tuba Thieves, a film project exploring the recurring theft of sound in Southern California. Image: Alison O&#8217;Daniel, Night Sky. Photo: Tom Clancey.]]></description>
			<content:encoded><![CDATA[<p>Support for <em>The Tuba Thieves</em>, a film project exploring the recurring theft of sound in Southern California.</p>
<p><span id="more-1977"></span></p>
<p>Image: Alison O&#8217;Daniel, <em>Night Sky</em>. Photo: Tom Clancey.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/alisonodanie/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Irvin Morazan</title>
		<link>http://artmattersfoundation.org/irvinmorazan</link>
		<comments>http://artmattersfoundation.org/irvinmorazan#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:13:42 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[M]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/irvinmorazan</guid>
		<description><![CDATA[Support for travel to Tokyo to explore the subculture of Dekotora trucks. Image: Irvin Morazan, Motorpsycho Performance, San Antonio, Texas, 2012. Courtesy of the Artist.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to Tokyo to explore the subculture of Dekotora trucks.</p>
<p><span id="more-1975"></span></p>
<p>Image: Irvin Morazan, <em>Motorpsycho Performance, San Antonio, Texas, </em>2012. Courtesy of the Artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/irvinmorazan/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ander Mikalson</title>
		<link>http://artmattersfoundation.org/andermikalson</link>
		<comments>http://artmattersfoundation.org/andermikalson#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:13:07 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[M]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/andermikalson</guid>
		<description><![CDATA[Support for ongoing work. Image: Ander Mikalson, Score for the Big Bang. Courtesy of the Artist.]]></description>
			<content:encoded><![CDATA[<p>Support for ongoing work.</p>
<p><span id="more-1973"></span></p>
<p>Image: Ander Mikalson, <em>Score for the Big Bang</em>. Courtesy of the Artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/andermikalson/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Deana Lawson</title>
		<link>http://artmattersfoundation.org/deanalawson</link>
		<comments>http://artmattersfoundation.org/deanalawson#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:12:30 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[L]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/deanalawson</guid>
		<description><![CDATA[Support for travel to Haiti, Jamaica, and Ghana to continue the artist’s portraiture photography work. Image: Deana Lawson, Roxie and Raquel. Courtesy of the Artist.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to Haiti, Jamaica, and Ghana to continue the artist’s portraiture photography work.</p>
<p><span id="more-1971"></span></p>
<p>Image: Deana Lawson, <em>Roxie and Raquel</em>. Courtesy of the Artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/deanalawson/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Vishal Jugdeo</title>
		<link>http://artmattersfoundation.org/vishaljugdeo</link>
		<comments>http://artmattersfoundation.org/vishaljugdeo#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:11:53 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[J]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/vishaljugdeo</guid>
		<description><![CDATA[Support for a video project in Kolkata, India involving the port of departure, globalization and tolerance of marginal sexualities. Image: Vishal Jugdeo, Goods Carrier, 2012. Courtesy of the Artist.]]></description>
			<content:encoded><![CDATA[<p>Support for a video project in Kolkata, India involving the port of departure, globalization and tolerance of marginal sexualities.</p>
<p><span id="more-1969"></span></p>
<p>Image: Vishal Jugdeo, <em>Goods Carrier</em>, 2012. Courtesy of the Artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/vishaljugdeo/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Jennie C. Jones</title>
		<link>http://artmattersfoundation.org/jenniecjones</link>
		<comments>http://artmattersfoundation.org/jenniecjones#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:10:32 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[J]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/maryjeys</guid>
		<description><![CDATA[Support for the artist’s Acoustic Painting series, which uses soundproofing materials from industrial settings to bridge two-dimensional works and audio pieces. Image: Jennie C. Jones, Harmonic Distortion, 2012. Courtesy of the Artist.]]></description>
			<content:encoded><![CDATA[<p>Support for the artist’s <em>Acoustic Painting</em> series, which uses soundproofing materials from industrial settings to bridge two-dimensional works and audio pieces.</p>
<p><span id="more-1965"></span></p>
<p>Image: Jennie C. Jones, <em>Harmonic Distortion</em>, 2012. Courtesy of the Artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/jenniecjones/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Laryssa Husiak</title>
		<link>http://artmattersfoundation.org/laryssahusia</link>
		<comments>http://artmattersfoundation.org/laryssahusia#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:09:47 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[H]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/laryssahusia</guid>
		<description><![CDATA[Support for ongoing work. Image: Laryssa Husiak, I am a Ukrainian Lesbian. Photo: Sharyn Jackson.]]></description>
			<content:encoded><![CDATA[<p>Support for ongoing work.</p>
<p><span id="more-1963"></span></p>
<p>Image: Laryssa Husiak, <em>I am a Ukrainian Lesbian</em>. Photo: Sharyn Jackson.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/laryssahusia/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Pablo Helguera</title>
		<link>http://artmattersfoundation.org/pablohelguera</link>
		<comments>http://artmattersfoundation.org/pablohelguera#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:08:50 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[H]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/pablohelguera</guid>
		<description><![CDATA[Support for ongoing work. Image: Courtesy of the Artist.]]></description>
			<content:encoded><![CDATA[<p>Support for ongoing work.</p>
<p><span id="more-1961"></span></p>
<p>Image: Courtesy of the Artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/pablohelguera/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Trajal Harrell</title>
		<link>http://artmattersfoundation.org/trajalharrell</link>
		<comments>http://artmattersfoundation.org/trajalharrell#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:08:05 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[H]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/trajalharrell</guid>
		<description><![CDATA[Support for travel to Japan to research Tatsumi Hijikata, founder of Butoh dance, starting with the question, “how does one vogue Tatsumi Hijikata?” Image: Trajal Harrel, untitled. Photo: Bengt Gustafsson.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to Japan to research Tatsumi Hijikata, founder of Butoh dance, starting with the question, “how does one vogue Tatsumi Hijikata?”</p>
<p><span id="more-1959"></span></p>
<p>Image: Trajal Harrel, <em>untitled</em>. Photo: Bengt Gustafsson.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/trajalharrell/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Wynne Greenwood</title>
		<link>http://artmattersfoundation.org/wynnegreenwood</link>
		<comments>http://artmattersfoundation.org/wynnegreenwood#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:07:05 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[G]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/wynnegreenwoo</guid>
		<description><![CDATA[Support for new work inspired by the Serbian mythological creature Azdaja, to be presented at Drugstore, a queer cultural space in Belgrade. Image: Wynne Greenwood, Strap-on from website. Courtesy of the Artist.]]></description>
			<content:encoded><![CDATA[<p>Support for new work inspired by the Serbian mythological creature Azdaja, to be presented at Drugstore, a queer cultural space in Belgrade.</p>
<p><span id="more-1956"></span></p>
<p>Image: Wynne Greenwood, <em>Strap-on from website</em>. Courtesy of the Artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/wynnegreenwood/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Renée Green</title>
		<link>http://artmattersfoundation.org/reneegreen</link>
		<comments>http://artmattersfoundation.org/reneegreen#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:06:11 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[G]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/reneegreen</guid>
		<description><![CDATA[Support for Returning Kaleidoscopic Migration Constellations, a film involving movements of people in the history of California, New York, Brazil, Vienna, and Berlin. Image: Renée Green, Endless Dreams and Water Between, 2009. Courtesy of the Artist.]]></description>
			<content:encoded><![CDATA[<p>Support for <em>Returning Kaleidoscopic Migration Constellations</em>, a film involving movements of people in the history of California, New York, Brazil, Vienna, and Berlin.</p>
<p><span id="more-1954"></span></p>
<p>Image: Renée Green, <em>Endless Dreams and Water Between</em>, 2009. Courtesy of the Artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/reneegreen/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Kate Gilmore</title>
		<link>http://artmattersfoundation.org/kategilmor</link>
		<comments>http://artmattersfoundation.org/kategilmor#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:05:30 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[G]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/kategilmor</guid>
		<description><![CDATA[Support for ongoing work. Image: Kate Gilmore, Through the Claw. Courtesy of the Artist.]]></description>
			<content:encoded><![CDATA[<p>Support for ongoing work.</p>
<p><span id="more-1952"></span></p>
<p>Image: Kate Gilmore, <em>Through the Claw</em>. Courtesy of the Artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/kategilmor/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Daniel Duford</title>
		<link>http://artmattersfoundation.org/danieldufor</link>
		<comments>http://artmattersfoundation.org/danieldufor#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:04:32 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[D]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/danieldufor</guid>
		<description><![CDATA[Support for Ringing the Temple Bell a three-day event involving performances, workshops and the building of an earthen bread oven/kiln. Image: Daniel Duford, The Bees Made Honey in the Lion&#8217;s Head. Courtesy of the Artist.]]></description>
			<content:encoded><![CDATA[<p>Support for <em>Ringing the Temple Bell</em> a three-day event involving performances, workshops and the building of an earthen bread oven/kiln.</p>
<p><span id="more-1950"></span></p>
<p>Image: Daniel Duford, <em>The Bees Made Honey in the Lion&#8217;s Head</em>. Courtesy of the Artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/danieldufor/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Harry Dodge</title>
		<link>http://artmattersfoundation.org/harrydodge</link>
		<comments>http://artmattersfoundation.org/harrydodge#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:03:48 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[D]]></category>
		<category><![CDATA[J]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/harrydodge</guid>
		<description><![CDATA[Support for ongoing work. Image: Courtesy of the Artist.]]></description>
			<content:encoded><![CDATA[<p>Support for ongoing work.</p>
<p><span id="more-1948"></span></p>
<p>Image: Courtesy of the Artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/harrydodge/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sergio de la Torre</title>
		<link>http://artmattersfoundation.org/sergiodelatorre</link>
		<comments>http://artmattersfoundation.org/sergiodelatorre#comments</comments>
		<pubDate>Sun, 16 Dec 2012 23:02:19 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[D]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/sergiodelatorre</guid>
		<description><![CDATA[Support for Noise (working title), the third chapter of a video trilogy exploring Chinese immigration in Mexico. Image: Sergio de la Torre, Neuvo Dragon City, 2010. Courtesy of the Artist.]]></description>
			<content:encoded><![CDATA[<p>Support for <em>Noise (working title),</em> the third chapter of a video trilogy exploring Chinese immigration in Mexico.</p>
<p><span id="more-1946"></span></p>
<p>Image: Sergio de la Torre, <em>Neuvo Dragon City</em>, 2010. Courtesy of the Artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/sergiodelatorre/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sandra de la Loza</title>
		<link>http://artmattersfoundation.org/sandradelaloza</link>
		<comments>http://artmattersfoundation.org/sandradelaloza#comments</comments>
		<pubDate>Sun, 16 Dec 2012 22:59:23 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[D]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/sandradelaloza</guid>
		<description><![CDATA[Support for ongoing work. Image: Sandra de la Loza, The Art of Lockpicking, The Lockpicking of Art. Courtesy of the Artist.]]></description>
			<content:encoded><![CDATA[<p>Support for ongoing work.</p>
<p><span id="more-1942"></span></p>
<p>Image: Sandra de la Loza, <em>The Art of Lockpicking, The Lockpicking of Art</em>. Courtesy of the Artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/sandradelaloza/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Che Chen</title>
		<link>http://artmattersfoundation.org/chechen</link>
		<comments>http://artmattersfoundation.org/chechen#comments</comments>
		<pubDate>Sun, 16 Dec 2012 22:57:47 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[C]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/chechen</guid>
		<description><![CDATA[Support for research in Mauritania into Haratine and Beydane contemporary music culture. Image: Che Chen, Island Cultures: Chott-El-Jerrid, Tunisia. Courtesy of the Artist.]]></description>
			<content:encoded><![CDATA[<p>Support for research in Mauritania into Haratine and Beydane contemporary music culture.</p>
<p><span id="more-1939"></span></p>
<p>Image: Che Chen, <em>Island Cultures: Chott-El-Jerrid, Tunisia</em>. Courtesy of the Artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/chechen/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Rozalinda Borcila</title>
		<link>http://artmattersfoundation.org/rozalindaborcila</link>
		<comments>http://artmattersfoundation.org/rozalindaborcila#comments</comments>
		<pubDate>Sun, 16 Dec 2012 22:55:49 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[2012]]></category>
		<category><![CDATA[B]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/rozalindaborcila</guid>
		<description><![CDATA[Support for travel and research into extraterritorial zones in the US, with a focus on Foreign Trade Zones (FTZs) and Immigrant Detention Centers. Image: Courtesy of the Artist.]]></description>
			<content:encoded><![CDATA[<p>Support for travel and research into extraterritorial zones in the US, with a focus on Foreign Trade Zones (FTZs) and Immigrant Detention Centers.</p>
<p><span id="more-1935"></span></p>
<p>Image: Courtesy of the Artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/rozalindaborcila/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Grantee Sonya Clark at Spelman College Museum of Fine Arts, Atlanta</title>
		<link>http://artmattersfoundation.org/grantee-sonyaclark</link>
		<comments>http://artmattersfoundation.org/grantee-sonyaclark#comments</comments>
		<pubDate>Mon, 10 Sep 2012 18:45:08 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/grantee-sonyaclark</guid>
		<description><![CDATA[Material Girls: Contemporary Black Women Artists, features work by Chakaia Booker, Sonya Clark, Maya Freelon Asante, Maren Hassinger, Martha Jackson Jarvis, Joyce J. Scott, and Renée Stout. On view at the Spelman College Museum of Fine Art Sept. 6 through Dec. 1, 2012, this exhibition explores the innovative ways that Black women artists fuse fine]]></description>
			<content:encoded><![CDATA[<p><strong>Material Girls: Contemporary Black Women Artists</strong>, features work by Chakaia Booker, Sonya Clark, Maya Freelon Asante, Maren Hassinger, Martha Jackson Jarvis, Joyce J. Scott, and Renée Stout. On view at the Spelman College Museum of Fine Art Sept. 6 through Dec. 1, 2012, this exhibition explores the innovative ways that Black women artists fuse fine art and craft.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/grantee-sonyaclark/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A new publication by grantee Ernesto Pujol</title>
		<link>http://artmattersfoundation.org/ernesto-pujo</link>
		<comments>http://artmattersfoundation.org/ernesto-pujo#comments</comments>
		<pubDate>Mon, 10 Sep 2012 18:32:55 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/ernesto-pujo</guid>
		<description><![CDATA[Sited Body, Public Visions: silence, stillness &#38; walking as Performance Practice by Ernesto Pujol is a collection of the artist&#8217;s intimate writings about the body and a reflection about his relationship with communities and landscapes. Pujol shares his field experiences across the United States, choreographing durational group performances through a methodology of vulnerability inspired by]]></description>
			<content:encoded><![CDATA[<p><em>Sited Body, Public Visions: silence, stillness &amp; walking as Performance Practice</em> by Ernesto Pujol is a collection of the artist&#8217;s intimate writings about the body and a reflection about his relationship with communities and landscapes. Pujol shares his field experiences across the United States, choreographing durational group performances through a methodology of vulnerability inspired by Buddhist notions of mindfulness.</p>
<p><span style="font-family: Calibri,Verdana,Helvetica,Arial;"><span style="font-size: x-small;"><br />
</span></span></p>
<p><a href="http://superstitionreview.asu.edu/blog/" target="_blank"><span style="color: #0000ff; font-size: x-small;"><br />
</span></a></p>
<p><span style="font-family: Calibri,Verdana,Helvetica,Arial;"><br />
</span></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/ernesto-pujo/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Grantee Binod Shrestha at Rochester Art Center through November 4th</title>
		<link>http://artmattersfoundation.org/grantee-bino</link>
		<comments>http://artmattersfoundation.org/grantee-bino#comments</comments>
		<pubDate>Mon, 10 Sep 2012 18:26:18 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/grantee-bino</guid>
		<description><![CDATA[Binod Shrestha’s practice investigates the body as a metaphor situated in our collective consciousness. Through layers of artistic amalgamation accumulated through the years and straddling multiple cultures, Shrestha begins a conversation on body-politics, displacement, and the transient nature of memory in a personal, ritualistic, and reflective context.]]></description>
			<content:encoded><![CDATA[<p>Binod Shrestha’s practice investigates the body as a metaphor situated in our collective consciousness. Through layers of artistic amalgamation accumulated through the years and straddling multiple cultures, Shrestha begins a conversation on body-politics, displacement, and the transient nature of memory in a personal, ritualistic, and reflective context.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/grantee-bino/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Grantee Sheila Pepe at Underline Gallery through October 12th</title>
		<link>http://artmattersfoundation.org/grantee-sheila-pep</link>
		<comments>http://artmattersfoundation.org/grantee-sheila-pep#comments</comments>
		<pubDate>Mon, 10 Sep 2012 18:23:17 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/grantee-sheila-pep</guid>
		<description><![CDATA[SHOP is an annual group exhibition that provides an antidote to the banality of the mass-produced and fast-fashion distribution – offering a range of artist editions in limited production to coincide with a month long celebration of fashion in New York City.]]></description>
			<content:encoded><![CDATA[<p><em><strong></strong></em>SHOP is an annual group exhibition that provides an antidote to the banality of the mass-produced and fast-fashion distribution – offering a range of artist editions in limited production to coincide with a month long celebration of fashion in New York City.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/grantee-sheila-pep/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Grantee Cauleen Smith at threewalls in Chicago through October 20th</title>
		<link>http://artmattersfoundation.org/grantee-cauleen-smith-in-chicag</link>
		<comments>http://artmattersfoundation.org/grantee-cauleen-smith-in-chicag#comments</comments>
		<pubDate>Mon, 10 Sep 2012 18:20:06 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/grantee-cauleen-smith-in-chicag</guid>
		<description><![CDATA[Filmmaker Cauleen Smith wraps up her 2-year Chicago residency and research on Sun Ra with her exhibition The Journeyman &#8211; an installation, recording studio, and library about artistic process, research and the relationship between an artist and the subjects they revere. The exhibition will be accompanied by the release of a limited edition vinyl record]]></description>
			<content:encoded><![CDATA[<p><em><strong></strong></em>Filmmaker Cauleen Smith wraps up her 2-year Chicago residency and research on Sun Ra with her exhibition The Journeyman &#8211; an installation, recording studio, and library about artistic process, research and the relationship between an artist and the subjects they revere. The exhibition will be accompanied by the release of a limited edition vinyl record mixed by Smith that includes recordings she made over the course of her project in Chicago and materials found in the Sun Ra archive at Experimental Sound Studio.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/grantee-cauleen-smith-in-chicag/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Grantee Xaveria Simmons at The Studio Museum in Harlem through October 21st</title>
		<link>http://artmattersfoundation.org/xavierasimmons-primary-source</link>
		<comments>http://artmattersfoundation.org/xavierasimmons-primary-source#comments</comments>
		<pubDate>Mon, 10 Sep 2012 18:14:40 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/xavierasimmons-primary-source</guid>
		<description><![CDATA[Primary Sources presents the work of Njideka Akunyili, Meleko Mokgosi and Xaviera Simmons, the 2011–12 artists in residence at The Studio Museum in Harlem.]]></description>
			<content:encoded><![CDATA[<p><em><strong>Primary Sources</strong></em> presents the work of Njideka Akunyili, Meleko Mokgosi and Xaviera Simmons, the 2011–12 artists in residence at The Studio Museum in Harlem.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/xavierasimmons-primary-source/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Grantees Clifford Owens, Xaviera Simmons and Hank Willis Thomas at Rhona Hoffman Gallery, Chicago 3/29/2012 &#8211; 5/5/2012</title>
		<link>http://artmattersfoundation.org/grantees-clifford-owens-xaviera-simmons-and-hank-willis-thomas-at-rhona-hoffman-gallery-chicago-3292012-552012</link>
		<comments>http://artmattersfoundation.org/grantees-clifford-owens-xaviera-simmons-and-hank-willis-thomas-at-rhona-hoffman-gallery-chicago-3292012-552012#comments</comments>
		<pubDate>Tue, 17 Apr 2012 19:29:02 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/grantees-clifford-owens-xaviera-simmons-and-hank-willis-thomas-at-rhona-hoffman-gallery-chicago-3292012-552012</guid>
		<description><![CDATA[Rhona Hoffman Gallery is pleased to present tête-à-tête, a group exhibition of photographic work by Derrick Adams, Jayson Keeling, Deana Lawson, Zanele Muholi, Clifford Owens, Mahlot Sansosa, Malick Sidibe, Xaviera Simmons, Mickalene Thomas, and Hank Willis Thomas. Curated by Mickalene Thomas.]]></description>
			<content:encoded><![CDATA[<p>Rhona Hoffman Gallery is pleased to present tête-à-tête, a group exhibition of photographic work by Derrick Adams, Jayson Keeling, Deana Lawson, Zanele Muholi, Clifford Owens, Mahlot Sansosa, Malick Sidibe, Xaviera Simmons, Mickalene Thomas, and Hank Willis Thomas. Curated by Mickalene Thomas.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/grantees-clifford-owens-xaviera-simmons-and-hank-willis-thomas-at-rhona-hoffman-gallery-chicago-3292012-552012/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Grantees Juan William Chavez, Chitra Ganesh and Arnold Kemp awarded Guggenheim Fellowships</title>
		<link>http://artmattersfoundation.org/guggenheim-a</link>
		<comments>http://artmattersfoundation.org/guggenheim-a#comments</comments>
		<pubDate>Tue, 17 Apr 2012 19:08:37 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/guggenheim-a</guid>
		<description><![CDATA[The John Simon Guggenheim Memorial Foundation has awarded Fellowships to a diverse group of 181 scholars, artists, and scientists in its eighty-eighth annual competition for the United States and Canada.  Appointed on the basis of prior achievement and exceptional promise, the successful candidates were chosen from a group of almost 3,000 applicants.]]></description>
			<content:encoded><![CDATA[<p>The John Simon Guggenheim Memorial Foundation has awarded Fellowships to a diverse group of 181 scholars, artists, and scientists in its eighty-eighth annual competition for the United States and Canada.  Appointed on the basis of prior achievement and exceptional promise, the successful candidates were chosen from a group of almost 3,000 applicants.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/guggenheim-a/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Grantees Sonya Clark, Kalup Linzy and Karyn Olivier in Magical Visions at the University of Delaware Museums’ Mechanical Hall February 1–June 29, 2012</title>
		<link>http://artmattersfoundation.org/magical-visions</link>
		<comments>http://artmattersfoundation.org/magical-visions#comments</comments>
		<pubDate>Fri, 09 Mar 2012 20:02:34 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/magical-visions</guid>
		<description><![CDATA[Magical Visions: Ten Contemporary African American Artists brings together the work of artists who have pioneered significant changes in media including assemblage, fiber, painting, photography, printmaking, quilt making, and sculpture to video with performance. Through their own magical visions, these artists give birth to works that challenge traditions and open new vistas. Artists included in]]></description>
			<content:encoded><![CDATA[<p>Magical Visions: Ten Contemporary African American Artists brings together the work of artists who have pioneered significant changes in media including assemblage, fiber, painting, photography, printmaking, quilt making, and sculpture to video with performance. Through their own magical visions, these artists give birth to works that challenge traditions and open new vistas. Artists included in the exhibition are Terry Adkins, Sonya Clark, Melvin Edwards, Sam Gilliam, Barkley L. Hendricks, Kalup Linzy, Odili Donald Odita, Karyn Olivier, Faith Ringgold and William T. Williams.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/magical-visions/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Grantee Yto Barrada’s RIFFS at the Renaissance Society in Chicago March 18 – April 22, 2012</title>
		<link>http://artmattersfoundation.org/barrada</link>
		<comments>http://artmattersfoundation.org/barrada#comments</comments>
		<pubDate>Fri, 09 Mar 2012 20:00:05 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/barrada</guid>
		<description><![CDATA[For her Midwest museum debut, Tangier-based artist Yto Barrada will exhibit “Riffs”, an installation of photographs and films that inquire into the daily traces of historical changes taking place in North Africa, the artist’s home. Barrada, who is Deutsche Bank’s Artist of the Year 2011, has developed an artistic practice which combines the strategies of]]></description>
			<content:encoded><![CDATA[<p>For her Midwest museum debut, Tangier-based artist Yto Barrada will exhibit “Riffs”, an installation of photographs and films that inquire into the daily traces of historical changes taking place in North Africa, the artist’s home. Barrada, who is Deutsche Bank’s Artist of the Year 2011, has developed an artistic practice which combines the strategies of documentary with a metaphoric approach to imagery, resulting in a body of work lauded for its emblematic power. The installation which was previously on view at the Deutsche Guggenheim in Berlin draws from past bodies of Barrada’s work, including “A Life Full of Holes: The Strait Project” (1998-2004) and “Iris Tingitana” (2007), reconfiguring them in new relationships together with the artist’s most recent work.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/barrada/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Grantees Andrea Fraser, LaToya Ruby Frazier, and Wu Tsang included in the 2012 Whitney Biennial, March 1-May 27th</title>
		<link>http://artmattersfoundation.org/whitney-biennia</link>
		<comments>http://artmattersfoundation.org/whitney-biennia#comments</comments>
		<pubDate>Fri, 09 Mar 2012 19:47:56 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/whitney-biennia</guid>
		<description><![CDATA[The 2012 Biennial takes over most of the Whitney from March 1 through May 27, with portions of the exhibition and some programs continuing through June 10. The participating artists were selected by Elisabeth Sussman, Curator/Sondra Gilman Curator of Photography at the Whitney, and Jay Sanders, a freelance curator and writer who has spent the]]></description>
			<content:encoded><![CDATA[<p>The 2012 Biennial takes over most of the Whitney from March 1 through May 27, with portions of the exhibition and some programs continuing through June 10. The participating artists were selected by Elisabeth Sussman, Curator/Sondra Gilman Curator of Photography at the Whitney, and Jay Sanders, a freelance curator and writer who has spent the past ten years working both in the gallery world and on independent curatorial projects.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/whitney-biennia/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Grantees Frazier, Gates, Gonzales-Day, Leigh, Motta, My Barbarian and The Propeller Group awarded 2012 Creative Capital Grants</title>
		<link>http://artmattersfoundation.org/creative-capital</link>
		<comments>http://artmattersfoundation.org/creative-capital#comments</comments>
		<pubDate>Mon, 30 Jan 2012 20:10:31 +0000</pubDate>
		<dc:creator>sacha</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://artmattersfoundation.org/creative-capital</guid>
		<description><![CDATA[Congratulations to Art Matters Grantees LaToya Ruby Frazier, Theaster Gates, Ken Gonzales-Day, Simone Leigh, Carlos Motta, My Barbarian and The Propeller Group on their 2012 Creative Capital Grants in the Visual Arts and Film/Video.]]></description>
			<content:encoded><![CDATA[<p>Congratulations to Art Matters Grantees LaToya Ruby Frazier, Theaster Gates, Ken Gonzales-Day, Simone Leigh, Carlos Motta, My Barbarian and The Propeller Group on their 2012 Creative Capital Grants in the Visual Arts and Film/Video.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/creative-capital/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>OtherPeoplesPixels Interviews David Kagan</title>
		<link>http://artmattersfoundation.org/otherpeoplespixels-interviews-david-kagan</link>
		<comments>http://artmattersfoundation.org/otherpeoplespixels-interviews-david-kagan#comments</comments>
		<pubDate>Tue, 06 Dec 2011 01:17:23 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/otherpeoplespixels-interviews-david-kagan</guid>
		<description><![CDATA[Art Matters Grantee David Kagan was recently interviewed about his work by OtherPeoplesPixels, for their featured artist blog. Follow the link to read more.]]></description>
			<content:encoded><![CDATA[<p>Art Matters Grantee David Kagan was recently interviewed about his work by OtherPeoplesPixels, for their featured artist blog. Follow the link to read more.  <!--EndFragment--></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/otherpeoplespixels-interviews-david-kagan/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;No Limits: Janet Biggs&#8221; on View at Tampa Museum of Art, Oct.30 &#8211; Jan.8</title>
		<link>http://artmattersfoundation.org/no-limits-janet-biggs-on-view-at-tampa-museum-of-art-oct-30-jan-8</link>
		<comments>http://artmattersfoundation.org/no-limits-janet-biggs-on-view-at-tampa-museum-of-art-oct-30-jan-8#comments</comments>
		<pubDate>Tue, 06 Dec 2011 01:07:48 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/no-limits-janet-biggs-on-view-at-tampa-museum-of-art-oct-30-jan-8</guid>
		<description><![CDATA[The Tampa Museum of Art is pleased to present No Limits: Janet Biggs, the first survey exhibition of this New York-based video and performance artist. For almost fifteen years, Biggs has been an important figure in the world of video art. Her work has been featured in over 100 solo and group exhibitions around the]]></description>
			<content:encoded><![CDATA[<p>The Tampa Museum of Art is pleased to present <em>No Limits: Janet Biggs</em>,  the first survey exhibition of this New York-based video and  performance artist. For almost fifteen years, Biggs has been an  important figure in the world of video art. Her work has been featured  in over 100 solo and group exhibitions around the world and is widely  collected by institutions and individuals. Janet Biggs has explored the  tense relationships between athleticism and human ambition,  individualism and community, and free will and control. Her work has  focused on sports and natural environments and has ranged from the  claustrophobic pool with synchronized swimmers to the vast expanse of  the High Arctic.</p>
<p>&nbsp;</p>
<p>Tampa Museum of Art, 120 West Gasparilla Plaza, Tampa, FL 33602</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/no-limits-janet-biggs-on-view-at-tampa-museum-of-art-oct-30-jan-8/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Andrea Bowers: The New Woman&#8217;s Survival Guide&#8221; on View at Andrew Kreps Gallery, Oct. 29 &#8211; Dec. 17</title>
		<link>http://artmattersfoundation.org/andrea-bowers-solo-exhibition-currently-on-view-at-andrew-kreps-gallery</link>
		<comments>http://artmattersfoundation.org/andrea-bowers-solo-exhibition-currently-on-view-at-andrew-kreps-gallery#comments</comments>
		<pubDate>Tue, 06 Dec 2011 00:52:40 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/andrea-bowers-solo-exhibition-currently-on-view-at-andrew-kreps-gallery</guid>
		<description><![CDATA[The Andrew Kreps Gallery is pleased to present Andrea Bowers&#8217; second exhibition at the gallery entitled, The New Woman&#8217;s Survival Guide. Consisting of drawings layered over wallpaper made up of handbills and protest signs collected by the artist, the show contrasts previous tropes of feminism with current ones. The New Woman&#8217;s Survival Guide is on]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;">The Andrew Kreps Gallery is pleased to present Andrea Bowers&#8217; second exhibition at the gallery entitled, <em>The New Woman&#8217;s Survival Guide</em>. Consisting of drawings layered over wallpaper made up of handbills and protest signs collected by the artist, the show contrasts previous tropes of feminism with current ones. <em>The New Woman&#8217;s Survival Guide</em> is on view until December 17.</p>
<p style="text-align: left;">Andrew Kreps Gallery, 525 West 22nd Street, New York, 10011.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/andrea-bowers-solo-exhibition-currently-on-view-at-andrew-kreps-gallery/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>DeeDee Halleck: 30 Years of Paper Tiger Installations</title>
		<link>http://artmattersfoundation.org/deedee-halleck-30-years-of-paper-tiger-installations</link>
		<comments>http://artmattersfoundation.org/deedee-halleck-30-years-of-paper-tiger-installations#comments</comments>
		<pubDate>Tue, 06 Dec 2011 00:27:11 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/deedee-halleck-30-years-of-paper-tiger-installations</guid>
		<description><![CDATA[Follow the link to view the latest video featuring the many installations the Paper Tiger collective has created over the years.]]></description>
			<content:encoded><![CDATA[<p>Follow the link to view the latest video featuring the many installations the Paper Tiger  collective has created over the years.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/deedee-halleck-30-years-of-paper-tiger-installations/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Grantees Clark and O&#8217;Grady selected as 2011 USA Artist Fellows</title>
		<link>http://artmattersfoundation.org/clark-and-ogrady</link>
		<comments>http://artmattersfoundation.org/clark-and-ogrady#comments</comments>
		<pubDate>Mon, 05 Dec 2011 23:53:46 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/clark-and-ogrady</guid>
		<description><![CDATA[Congratulations to 2011 Art Matters Grantees Sonya Clark and Lorraine O&#8217;Grady on their USA Artist Fellowships!]]></description>
			<content:encoded><![CDATA[<p>Congratulations to 2011 Art Matters Grantees Sonya Clark and Lorraine O&#8217;Grady on their USA Artist Fellowships!</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/clark-and-ogrady/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Wu Tsang and Alexandro Segade</title>
		<link>http://artmattersfoundation.org/wu-tsang-and-alexandro-segade</link>
		<comments>http://artmattersfoundation.org/wu-tsang-and-alexandro-segade#comments</comments>
		<pubDate>Sat, 24 Sep 2011 20:21:59 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2011]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[T]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/wu-tsang-and-alexandro-segade</guid>
		<description><![CDATA[Support for travel to Honduras, Guatemala and Mexico to interview queer people using questions inspired by Pasolini&#8217;s 1965 documentary on public attitudes towards sex, as well as documenting nightclub performances and queer theater happenings.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to Honduras, Guatemala and Mexico to interview queer  people using questions inspired by Pasolini&#8217;s 1965 documentary on  public attitudes towards sex, as well as documenting nightclub  performances and queer theater happenings.<span id="more-1572"></span></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/wu-tsang-and-alexandro-segade/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sonali Sridhar</title>
		<link>http://artmattersfoundation.org/sonali-sridhar</link>
		<comments>http://artmattersfoundation.org/sonali-sridhar#comments</comments>
		<pubDate>Sat, 24 Sep 2011 20:21:16 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2011]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[S]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/sonali-sridhar</guid>
		<description><![CDATA[Support for travel to India for a project involving the harnessing of solar power from panels embedded and embroidered in women&#8217;s veils.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to India for a project involving the harnessing of  solar power from panels embedded and embroidered in women&#8217;s veils.<span id="more-1570"></span></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/sonali-sridhar/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Susan Silton</title>
		<link>http://artmattersfoundation.org/susan-silton</link>
		<comments>http://artmattersfoundation.org/susan-silton#comments</comments>
		<pubDate>Sat, 24 Sep 2011 20:20:37 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2011]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[S]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/susan-silton</guid>
		<description><![CDATA[Support for travel to La Gomera in the Canary Islands to work with women practitioners of the whistling language Silbo Gomero towards a project involving a whistled adaptation of Gertrude Stein&#8217;s Lifting Belly.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to La Gomera in the Canary Islands to work with  women practitioners of the whistling language Silbo Gomero towards a  project involving a whistled adaptation of Gertrude Stein&#8217;s <em>Lifting  Belly</em>.<span id="more-1568"></span></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/susan-silton/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Jessica Segall</title>
		<link>http://artmattersfoundation.org/jessica-segall</link>
		<comments>http://artmattersfoundation.org/jessica-segall#comments</comments>
		<pubDate>Sat, 24 Sep 2011 20:19:43 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2011]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[S]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/jessica-segall</guid>
		<description><![CDATA[Support for travel to Mongolia to collaborate with local artist Tuguldur Yondonjamts on a performative sculpture project involving natural electric fields. &#160; &#160; Image: Jessica Segall, A Selfless Reteaching Jet (performance still). Courtesy of Eric Guerrero.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to Mongolia to collaborate with local artist  Tuguldur Yondonjamts on a performative sculpture project involving  natural electric fields.<span id="more-1566"></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Image: Jessica Segall, <em>A Selfless Reteaching Jet (performance still</em>). Courtesy of Eric Guerrero.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/jessica-segall/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sreshta Rit Premnath</title>
		<link>http://artmattersfoundation.org/sreshta-rit-premnath</link>
		<comments>http://artmattersfoundation.org/sreshta-rit-premnath#comments</comments>
		<pubDate>Sat, 24 Sep 2011 20:18:41 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2011]]></category>
		<category><![CDATA[P]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/sreshta-rit-premnath</guid>
		<description><![CDATA[Support for travel to Bangalore, India for photo/video documentation of utopian imagery of development, the architecture of MS Ramaiah, and migrant laborers.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to Bangalore, India for photo/video documentation of  utopian imagery of development, the architecture of MS Ramaiah, and  migrant laborers.<span id="more-1564"></span></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/sreshta-rit-premnath/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sheila Pepe</title>
		<link>http://artmattersfoundation.org/sheila-pepe</link>
		<comments>http://artmattersfoundation.org/sheila-pepe#comments</comments>
		<pubDate>Sat, 24 Sep 2011 20:17:56 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2011]]></category>
		<category><![CDATA[P]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/sheila-pepe</guid>
		<description><![CDATA[Support for the Denmark or Greece iterations of Common Sense, an ongoing installation performance involving a large-scale crocheted drawing which audience participants dismantle/unravel and repurpose. &#160; &#160; Image: Sheila Pepe, Common Sense Tbilisi, 2010. Courtesy of the artist.]]></description>
			<content:encoded><![CDATA[<p>Support for the Denmark or Greece iterations of Common Sense, an  ongoing installation performance involving a large-scale crocheted  drawing which audience participants dismantle/unravel and repurpose.<span id="more-1562"></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Image: Sheila Pepe, <em>Common Sense Tbilisi, </em>2010. Courtesy of the artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/sheila-pepe/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Yoshua Okón</title>
		<link>http://artmattersfoundation.org/yoshua-okon</link>
		<comments>http://artmattersfoundation.org/yoshua-okon#comments</comments>
		<pubDate>Sat, 24 Sep 2011 20:17:12 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2011]]></category>
		<category><![CDATA[O]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/yoshua-okon</guid>
		<description><![CDATA[Support for a project restaging key battles from the Guatemalan war in late 80s and 90s in the parking lot of Cypress Park Home Depot with members of the Mayan community in LA who fought in the actual war and are now day laborers. Image: Yoshua Okon, Octopus video still, 2011. Courtesy of the artist.]]></description>
			<content:encoded><![CDATA[<p>Support for a project restaging key battles from the Guatemalan war in late 80s and 90s in the parking lot of Cypress Park Home Depot with members of the Mayan community in LA who fought in the actual war and are now day laborers.<span id="more-1560"></span></p>
<p>Image: Yoshua Okon,<em> Octopus</em> video still, 2011. Courtesy of the artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/yoshua-okon/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Lorraine O&#8217;Grady</title>
		<link>http://artmattersfoundation.org/lorraine-ogrady</link>
		<comments>http://artmattersfoundation.org/lorraine-ogrady#comments</comments>
		<pubDate>Sat, 24 Sep 2011 20:16:08 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2011]]></category>
		<category><![CDATA[O]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/lorraine-ogrady</guid>
		<description><![CDATA[Support for travel to Jamaica to meet local family members, artists and art workers, documenting the trip in photos, video and text. Image: Lorraine O&#8217;Grady, The Strange Taxi: From Africa to Jamaica to Boston in 200 Years. Courtesy of Alexander Gray Associates, New York, NY.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to Jamaica to meet local family members, artists and  art workers, documenting the trip in photos, video and text.<span id="more-1558"></span></p>
<p>Image:</p>
<p>Lorraine O&#8217;Grady, <em>The Strange Taxi: From Africa to Jamaica to Boston in 200 Years</em>. Courtesy of Alexander Gray Associates, New York, NY.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/lorraine-ogrady/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Wardell Milan</title>
		<link>http://artmattersfoundation.org/wardell-milan</link>
		<comments>http://artmattersfoundation.org/wardell-milan#comments</comments>
		<pubDate>Sat, 24 Sep 2011 20:15:31 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2011]]></category>
		<category><![CDATA[M]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/wardell-milan</guid>
		<description><![CDATA[Support for travel to photograph the remaining architecture from Nazi-occupied Berlin and Mussolini-era Fascist Rome towards the project Popular Delusions and the Madness of Crowds, a film adaptation of Eugene Ionesco&#8217;s play Rhinoceros.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to photograph the remaining architecture from  Nazi-occupied Berlin and Mussolini-era Fascist Rome towards the project <em>Popular  Delusions and the Madness of Crowds</em>, a film adaptation of Eugene  Ionesco&#8217;s play <em>Rhinoceros</em>.<span id="more-1556"></span></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/wardell-milan/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Cynthia Madansky</title>
		<link>http://artmattersfoundation.org/cynthia-madansky</link>
		<comments>http://artmattersfoundation.org/cynthia-madansky#comments</comments>
		<pubDate>Sat, 24 Sep 2011 20:14:41 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2011]]></category>
		<category><![CDATA[M]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/cynthia-madansky</guid>
		<description><![CDATA[Support for the experimental film 1+8, about Turkey and it&#8217;s relationship with the eight countries it borders, in collaboration with Istanbul-based artist Angelika Brudniak. &#160; &#160; Image: Cynthia Madansky, Zakho, Iraq. Courtesy of MadAngel, 2011.]]></description>
			<content:encoded><![CDATA[<p>Support for the experimental film <em>1+8</em>, about Turkey and it&#8217;s  relationship with the eight countries it borders, in collaboration with  Istanbul-based artist Angelika Brudniak.<span id="more-1554"></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Image: Cynthia Madansky, <em>Zakho</em><em>, </em><em>Iraq</em>. Courtesy of MadAngel, 2011.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/cynthia-madansky/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Helen Lessick</title>
		<link>http://artmattersfoundation.org/helen-lessick</link>
		<comments>http://artmattersfoundation.org/helen-lessick#comments</comments>
		<pubDate>Sat, 24 Sep 2011 20:13:47 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2011]]></category>
		<category><![CDATA[L]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/helen-lessick</guid>
		<description><![CDATA[Support for travel to Kenya to research the interaction of soil, culture and time, in collaboration with Nairobi-based video artist David Koch, the UN Programme for the Environment, and the International Centre for Tropical Agriculture. &#160; &#160; Image: Helen Lessick, Soil Sample: Los Angeles (interior detail), 2006. Courtesy of the artist.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to Kenya to research the interaction of soil,  culture and time, in collaboration with Nairobi-based video artist David  Koch, the UN Programme for the Environment, and the International  Centre for Tropical Agriculture.<span id="more-1552"></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Image: Helen Lessick, <em>Soil Sample: </em><em>Los Angeles</em><em> (interior detail</em>), 2006. Courtesy of the artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/helen-lessick/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>David Kagan</title>
		<link>http://artmattersfoundation.org/david-kagan</link>
		<comments>http://artmattersfoundation.org/david-kagan#comments</comments>
		<pubDate>Sat, 24 Sep 2011 20:11:09 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2011]]></category>
		<category><![CDATA[K]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/david-kagan</guid>
		<description><![CDATA[Support for travel to Ghana to explore the intersection of contemporary and traditional music making, towards a new music/ video project Obruni Papa. &#160; &#160; Image: David Kagan, What Next (Obruni Papa Project). Courtesy of the artist.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to Ghana to explore the intersection of contemporary  and traditional music making, towards a new music/ video project <em>Obruni  Papa</em>.<span id="more-1548"></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Image: David Kagan, <em>What Next (Obruni Papa Project). </em>Courtesy of the artist.<em><br />
</em></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/david-kagan/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Hope Ginsburg</title>
		<link>http://artmattersfoundation.org/hope-ginsburg</link>
		<comments>http://artmattersfoundation.org/hope-ginsburg#comments</comments>
		<pubDate>Sat, 24 Sep 2011 20:10:29 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2011]]></category>
		<category><![CDATA[G]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/hope-ginsburg</guid>
		<description><![CDATA[Support for travel to the reef atolls off the coast of Belize to study the sea-sponges that grow there as part of the artist&#8217;s ongoing social artwork project Sponge. &#160; &#160; Image: Hope Ginsburg, Sponge HQ (doorway). Courtesy of Terry Brown.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to the reef atolls off the coast of Belize to study  the sea-sponges that grow there as part of the artist&#8217;s ongoing social  artwork project <em>Sponge</em>.<span id="more-1546"></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Image: Hope Ginsburg, <em>Sponge HQ (doorway). </em>Courtesy of Terry Brown.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/hope-ginsburg/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Robert Gero</title>
		<link>http://artmattersfoundation.org/robert-gero</link>
		<comments>http://artmattersfoundation.org/robert-gero#comments</comments>
		<pubDate>Sat, 24 Sep 2011 20:09:49 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2011]]></category>
		<category><![CDATA[G]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/robert-gero</guid>
		<description><![CDATA[Support for travel to Hungary, Romania, Bulgaria and Slovakia for research and interviews with the Roma.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to Hungary, Romania, Bulgaria and Slovakia for  research and interviews with the Roma.<span id="more-1544"></span></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/robert-gero/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>William Gaynor</title>
		<link>http://artmattersfoundation.org/william-gaynor</link>
		<comments>http://artmattersfoundation.org/william-gaynor#comments</comments>
		<pubDate>Sat, 24 Sep 2011 20:09:02 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2011]]></category>
		<category><![CDATA[G]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/william-gaynor</guid>
		<description><![CDATA[Support for travel to India and Nepal to research everyday life in Mumbai, the architecture of Agra, the spiritual aspects of Varanasi, and the physical landscape of Barun Valley.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to India and Nepal to research everyday life in  Mumbai, the architecture of Agra, the spiritual aspects of Varanasi, and  the physical landscape of Barun Valley.<span id="more-1542"></span></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/william-gaynor/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Lola Flash</title>
		<link>http://artmattersfoundation.org/lola-flash</link>
		<comments>http://artmattersfoundation.org/lola-flash#comments</comments>
		<pubDate>Sat, 24 Sep 2011 20:07:59 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2011]]></category>
		<category><![CDATA[F]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/lola-flash</guid>
		<description><![CDATA[Support for travel to England, Brazil and South Africa to continue three different photographic portrait series involving the politics of pigmentocracy, gender and age. &#160; &#160; Image: Lola Flash, Coreen Simpson. Courtesy of the artist.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to England, Brazil and South Africa to continue  three different photographic portrait series involving the politics of  pigmentocracy, gender and age.<span id="more-1540"></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Image: Lola Flash, <em>Coreen Simpson</em>. Courtesy of the artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/lola-flash/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Hasan Elahi</title>
		<link>http://artmattersfoundation.org/hasan-elahi</link>
		<comments>http://artmattersfoundation.org/hasan-elahi#comments</comments>
		<pubDate>Sat, 24 Sep 2011 20:05:55 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2011]]></category>
		<category><![CDATA[E]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/hasan-elahi</guid>
		<description><![CDATA[Support for travel to Transdneistra, the self-declared republic between Moldova and the Ukraine, to document daily activities in its major cities using software the artist has developed. &#160; &#160; Image: Hasan Elahi, Tracking Transience: One on One. Courtesy of the artist and Michael Klein Arts, New York.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to Transdneistra, the self-declared republic between  Moldova and the Ukraine, to document daily activities in its major  cities using software the artist has developed.<span id="more-1538"></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Image: Hasan Elahi, <em>Tracking Transience: One on One</em>. Courtesy of the artist and Michael Klein Arts, New York.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/hasan-elahi/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Tony Cruz</title>
		<link>http://artmattersfoundation.org/tony-cruz</link>
		<comments>http://artmattersfoundation.org/tony-cruz#comments</comments>
		<pubDate>Sat, 24 Sep 2011 20:04:56 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2011]]></category>
		<category><![CDATA[C]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/tony-cruz</guid>
		<description><![CDATA[Support for travel to Panama and Spain to research religious festivities centered around two black mystical figures, as part of an ongoing project involving musicians Ismael &#8220;Maelo&#8221; Rivera and Pau Casals. &#160; &#160; Image: Tony Cruz, Sin Titulo #1. Courtesy of the artist.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to Panama and Spain to research religious  festivities centered around two black mystical figures, as part of an  ongoing project involving musicians Ismael &#8220;Maelo&#8221; Rivera and Pau  Casals.<span id="more-1536"></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Image: Tony Cruz, <em>Sin Titulo #1</em>. Courtesy of the artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/tony-cruz/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sonya Clark</title>
		<link>http://artmattersfoundation.org/sonya-clark</link>
		<comments>http://artmattersfoundation.org/sonya-clark#comments</comments>
		<pubDate>Sat, 24 Sep 2011 20:04:01 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2011]]></category>
		<category><![CDATA[C]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/sonya-clark</guid>
		<description><![CDATA[Support for travel and research in Jamaica, Ghana and the UK towards the project Black Hair and Tilled Land: Combing through Canerows, exploring the history of sugarcane and Afro-Caribbean hairstyles named for the Triangle Trade cash crop. &#160; &#160; Image: Sonya Clark, Black Hair Flag. Courtesy of Taylor Dabney.]]></description>
			<content:encoded><![CDATA[<p>Support for travel and research in Jamaica, Ghana and the UK towards  the project <em>Black Hair and Tilled Land: Combing through Canerows</em>,  exploring the history of sugarcane and Afro-Caribbean hairstyles named  for the Triangle Trade cash crop.<span id="more-1534"></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Image: Sonya Clark, <em>Black Hair Flag</em>. Courtesy of Taylor Dabney.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/sonya-clark/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Laura Chipley</title>
		<link>http://artmattersfoundation.org/laura-chipley</link>
		<comments>http://artmattersfoundation.org/laura-chipley#comments</comments>
		<pubDate>Sat, 24 Sep 2011 20:02:52 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2011]]></category>
		<category><![CDATA[C]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/laura-chipley</guid>
		<description><![CDATA[Support for travel to Ecuador to document the ongoing effects of oil contamination perpetrated by Texaco in the Amazon from 1964-1990 towards the series of experimental videos Deep Black Sea. &#160; &#160; Image: Laura Chipley, Amazon video still #2. Courtesy of the artist.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to Ecuador to document the ongoing effects of oil  contamination perpetrated by Texaco in the Amazon from 1964-1990 towards  the series of experimental videos <em>Deep Black Sea</em>.<span id="more-1532"></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Image: Laura Chipley,<em> Amazon </em>video still #2. Courtesy of the artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/laura-chipley/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Juan William Chávez</title>
		<link>http://artmattersfoundation.org/juan-william-chavez</link>
		<comments>http://artmattersfoundation.org/juan-william-chavez#comments</comments>
		<pubDate>Sat, 24 Sep 2011 20:01:03 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2011]]></category>
		<category><![CDATA[C]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/juan-willam-chavez</guid>
		<description><![CDATA[Support for travel and research in Spain, England and France towards a photo/video project exploring the partnership between humans and bees. Image: Juan William Chávez, Rucher du Jardin du Luxembourg – Societe Centrale d’Apiculture, 2011. Courtesy of the artist.]]></description>
			<content:encoded><![CDATA[<p>Support for travel and research in Spain, England and France towards a  photo/video project exploring the partnership between humans and bees.<span id="more-1528"></span></p>
<p>Image: Juan William Chávez, <em>Rucher du Jardin du </em><em>Luxembourg</em><em> – Societe Centrale d’Apiculture</em>, 2011. Courtesy of the artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/juan-william-chavez/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Andrea Bowers</title>
		<link>http://artmattersfoundation.org/andrea-bowers</link>
		<comments>http://artmattersfoundation.org/andrea-bowers#comments</comments>
		<pubDate>Sat, 24 Sep 2011 19:59:57 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2011]]></category>
		<category><![CDATA[B]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/andrea-bowers</guid>
		<description><![CDATA[Support for a video project documenting DREAM-activist youth in California fighting the deportation of undocumented students. &#160; &#160; Image: Courtesy of the artist.]]></description>
			<content:encoded><![CDATA[<p>Support for a video project documenting DREAM-activist youth in  California fighting the deportation of undocumented students.<span id="more-1526"></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Image: Courtesy of the artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/andrea-bowers/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mary Walling Blackburn</title>
		<link>http://artmattersfoundation.org/mary-walling-blackburn-2</link>
		<comments>http://artmattersfoundation.org/mary-walling-blackburn-2#comments</comments>
		<pubDate>Sat, 24 Sep 2011 19:56:31 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2011]]></category>
		<category><![CDATA[B]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/mary-walling-blackburn-2</guid>
		<description><![CDATA[Support for a video project retracing, in reverse, the route taken by American hashish smugglers from Nova Scotia to Syria in 1974. Image Credit: Mary Walling Blackburn, Untitled: (My Expatriates).]]></description>
			<content:encoded><![CDATA[<p>Support for a video project retracing, in reverse, the route taken by American hashish smugglers from Nova Scotia to Syria in 1974.<span id="more-1522"></span></p>
<p>Image Credit:</p>
<p>Mary Walling Blackburn, <em>Untitled: (My Expatriates)</em>.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/mary-walling-blackburn-2/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Julie Tolentino</title>
		<link>http://artmattersfoundation.org/julie-tolentino</link>
		<comments>http://artmattersfoundation.org/julie-tolentino#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:49:54 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[T]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/julie-tolentino</guid>
		<description><![CDATA[Support for YOUR UNTITLED MARK (upon me), a project in which the artist and video collaborator Stosh Fila create live portraiture with five Filipino queer/trans writers, artists, and movers through a one-on-one movement workshop in Manila, Philippines. Part 1 of a series &#8220;STAY GOLD (Where Old is a Thing of Beauty)&#8221;.]]></description>
			<content:encoded><![CDATA[<p>Support for <em>YOUR UNTITLED MARK (upon me)</em>, a project in which  the artist and video collaborator Stosh Fila create live portraiture  with five Filipino queer/trans writers, artists, and movers through a  one-on-one movement workshop in Manila, Philippines. <span id="more-1516"></span>Part 1 of a series  &#8220;STAY GOLD (Where Old is a Thing of Beauty)&#8221;.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/julie-tolentino/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Judi Werthein</title>
		<link>http://artmattersfoundation.org/judi-werthein</link>
		<comments>http://artmattersfoundation.org/judi-werthein#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:49:53 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[W]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/judi-werthein</guid>
		<description><![CDATA[Support for a film project on Eva Peron working with the original French theater script &#8220;Eva Peron&#8221; by Copi to explore myth, identity and translation.]]></description>
			<content:encoded><![CDATA[<p>Support for a film project on Eva Peron working with the original  French theater script &#8220;Eva Peron&#8221; by Copi to explore myth, identity and  translation.<span id="more-1515"></span></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/judi-werthein/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Javier Téllez</title>
		<link>http://artmattersfoundation.org/javier-tellez</link>
		<comments>http://artmattersfoundation.org/javier-tellez#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:48:44 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[T]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/javier-tellez</guid>
		<description><![CDATA[Support for Our Exagmination Round His Factification for Incamination of Work in Progress (Dürer&#8217;s Rhinoceros), a video installation in collaboration with patients at Miguel Bormbarda Psychiatric Hospital in Lisbon.]]></description>
			<content:encoded><![CDATA[<p>Support for <em>Our Exagmination Round His Factification for Incamination of Work in Progress (Dürer&#8217;s Rhinoceros),</em> a video installation in collaboration with patients at Miguel Bormbarda Psychiatric Hospital in Lisbon.<span id="more-1513"></span></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/javier-tellez/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A.L. Steiner</title>
		<link>http://artmattersfoundation.org/a-l-steiner</link>
		<comments>http://artmattersfoundation.org/a-l-steiner#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:46:58 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[S]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/a-l-steiner</guid>
		<description><![CDATA[Support to collaborate with recent Art Matters grantee Ginger Brooks Takahashi on her funded video and photo project in Mongolia inspired by Ulrike Ottinger&#8217;s film Johanna d&#8217;Arc of Mongolia. &#160; &#160; Image: A.L. Steiner, The Patriarchy is a Pyramid Scheme. Courtesy of Centro Cultural Montehermoso.]]></description>
			<content:encoded><![CDATA[<p>Support to collaborate with recent Art Matters grantee Ginger Brooks  Takahashi on her funded video and photo project in Mongolia inspired by  Ulrike Ottinger&#8217;s film Johanna d&#8217;Arc of Mongolia.<span id="more-1511"></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Image: A.L. Steiner, <em>The Patriarchy is a Pyramid Scheme</em>. Courtesy of Centro Cultural Montehermoso.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/a-l-steiner/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Binod Shrestha</title>
		<link>http://artmattersfoundation.org/binod-shrestha</link>
		<comments>http://artmattersfoundation.org/binod-shrestha#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:46:16 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[S]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/binod-shrestha</guid>
		<description><![CDATA[Support for travel to Nepal, place of the artist&#8217;s birth, for interviews and video/photo documentation exploring body-politics, violence, memory and identity towards an exhibition also involving Nepali expatriates in the US.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to Nepal, place of the artist&#8217;s birth, for  interviews and video/photo documentation exploring body-politics,  violence, memory and identity towards an exhibition also involving  Nepali expatriates in the US.<span id="more-1509"></span></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/binod-shrestha/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Robbinschilds</title>
		<link>http://artmattersfoundation.org/robbinschilds</link>
		<comments>http://artmattersfoundation.org/robbinschilds#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:45:12 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[R]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/robbinschilds</guid>
		<description><![CDATA[Support for travel to Iceland to film the artists moving in extreme landscapes for a new video/performance piece involving the feminist reworking of the &#8220;man alone&#8221; trope.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to Iceland to film the artists moving in extreme  landscapes for a new video/performance piece involving the feminist  reworking of the &#8220;man alone&#8221; trope.<span id="more-1507"></span></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/robbinschilds/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Lucy Raven</title>
		<link>http://artmattersfoundation.org/lucy-raven</link>
		<comments>http://artmattersfoundation.org/lucy-raven#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:44:30 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[R]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/lucy-raven</guid>
		<description><![CDATA[Support for research in Chennai, Kerala and Mumbai, India towards a video project exploring the international outsourcing of 3D animation and visual effects for the creation of US landscapes in Hollywood movies. &#160; &#160; Image: Lucy Raven, Motion Capture (Calibration). Courtesy of the artist.]]></description>
			<content:encoded><![CDATA[<p>Support for research in Chennai, Kerala and Mumbai, India towards a  video project exploring the international outsourcing of 3D animation  and visual effects for the creation of US landscapes in Hollywood  movies.<span id="more-1505"></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Image: Lucy Raven, <em>Motion Capture (Calibration)</em>. Courtesy of the artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/lucy-raven/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Gilad Ratman</title>
		<link>http://artmattersfoundation.org/gilad-ratman</link>
		<comments>http://artmattersfoundation.org/gilad-ratman#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:43:40 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[R]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/gilad-ratman</guid>
		<description><![CDATA[Support for a performance project with Romanian heavy metal bands to take place in a rural area near Iasi, Romania, engaging questions of identity and territory within the region.]]></description>
			<content:encoded><![CDATA[<p>Support for a performance project with Romanian heavy metal bands to  take place in a rural area near Iasi, Romania, engaging questions of  identity and territory within the region.<span id="more-1503"></span></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/gilad-ratman/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Jose Perdices</title>
		<link>http://artmattersfoundation.org/jose-perdices</link>
		<comments>http://artmattersfoundation.org/jose-perdices#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:42:31 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[P]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/jose-perdices</guid>
		<description><![CDATA[Support for travel to the Museum Ahmed Zabana in Oran, Algeria, for a photo and video project Zabana Inshallah, documenting the dismantling of certain colonial collections there. &#160; &#160; Image: Jose Perdices, Untitled (Zabana #2). Courtesy of the artist.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to the Museum Ahmed Zabana in Oran, Algeria, for a photo and video project <em>Zabana Inshallah</em>, documenting the dismantling of certain colonial collections there.<span id="more-1501"></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Image: Jose Perdices, <em>Untitled (Zabana #2)</em>. Courtesy of the artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/jose-perdices/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Camilo Ontiveros</title>
		<link>http://artmattersfoundation.org/camilo-ontiveros</link>
		<comments>http://artmattersfoundation.org/camilo-ontiveros#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:41:35 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[O]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/camilo-ontiveros</guid>
		<description><![CDATA[Support for El Pedon, a project in which the artist extracts a meter cube of soil from Tepic, Nayarit, Mexico and transports it, in tact, to an arts institution in the US.]]></description>
			<content:encoded><![CDATA[<p>Support for<em> El Pedon</em>, a project in which the artist extracts a  meter cube of soil from Tepic, Nayarit, Mexico and transports it, in  tact, to an arts institution in the US.<span id="more-1499"></span></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/camilo-ontiveros/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ryan McNamara</title>
		<link>http://artmattersfoundation.org/ryan-mcnamara</link>
		<comments>http://artmattersfoundation.org/ryan-mcnamara#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:40:00 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[M]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/ryan-mcnamara</guid>
		<description><![CDATA[Support for travel to Buenos Aires to expand the artist&#8217;s dance practice that evinces failure. &#160; &#160; Image: Courtesy of the artist.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to Buenos Aires to expand the artist&#8217;s dance practice that evinces failure.<span id="more-1497"></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Image: Courtesy of the artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/ryan-mcnamara/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mary Mattingly</title>
		<link>http://artmattersfoundation.org/mary-mattingly</link>
		<comments>http://artmattersfoundation.org/mary-mattingly#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:39:07 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[M]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/mary-mattingly</guid>
		<description><![CDATA[Support for travel to Bangladesh for a photography project examining water issues and culture, travel and architecture in Barisal, Khulna and Chittagong as well as in areas near the river and deltas. &#160; &#160; Image: Mary Mattingly, Ship Making, 2011. Courtesy of the artist.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to Bangladesh for a photography project examining  water issues and culture, travel and architecture in Barisal, Khulna and  Chittagong as well as in areas near the river and deltas.<span id="more-1495"></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Image: Mary Mattingly,<em> Ship Making</em>, 2011. Courtesy of the artist.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/mary-mattingly/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Lovett/Codagnone</title>
		<link>http://artmattersfoundation.org/lovettcodagnone</link>
		<comments>http://artmattersfoundation.org/lovettcodagnone#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:38:14 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[L]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/lovettcodagnone</guid>
		<description><![CDATA[Support for travel and research in Brest, France, location of Fassbinder&#8217;s film version of Jean Genet&#8217;s novel Querelle, as part of an ongoing creative investigation of the material. &#160; &#160; Image: Lovett/Codagnone, Genet in New York, 2011. Courtesy of the artists.]]></description>
			<content:encoded><![CDATA[<p>Support for travel and research in Brest, France, location of  Fassbinder&#8217;s film version of Jean Genet&#8217;s novel Querelle, as part of an  ongoing creative investigation of the material.<span id="more-1493"></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Image: Lovett/Codagnone, <em>Genet in New York</em>, 2011. Courtesy of the artists.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/lovettcodagnone/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Donna Huanca</title>
		<link>http://artmattersfoundation.org/donna-huanca</link>
		<comments>http://artmattersfoundation.org/donna-huanca#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:37:23 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[H]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/donna-huanca</guid>
		<description><![CDATA[Support for the artist&#8217;s nomadic journey through Bolivia, creating ephemeral installations and photo-documentation in the style of Colonial Photography with collaborator Roy Minten. &#160; &#160; Image: Donna Huanca, Unearthing (golden phallus). Courtesy of the artist and Roy Minten.]]></description>
			<content:encoded><![CDATA[<p>Support for the artist&#8217;s nomadic journey through Bolivia, creating  ephemeral installations and photo-documentation in the style of Colonial  Photography with collaborator Roy Minten.<span id="more-1491"></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Image: Donna Huanca, <em>Unearthing (golden phallus). </em>Courtesy of the artist and Roy Minten.</p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/donna-huanca/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Kira Lynn Harris</title>
		<link>http://artmattersfoundation.org/kira-lynn-harris</link>
		<comments>http://artmattersfoundation.org/kira-lynn-harris#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:36:42 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[H]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/kira-lynn-harris</guid>
		<description><![CDATA[Support for travel to France and Spain to complete a series of large-scale drawings and photographs of the Chapel Notre Dame du Haut by Le Corbusier, Antoni Gaudi&#8217;s Sagrada Família in Barcelona and George Wyman&#8217;s Bradbury building in LA.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to France and Spain to complete a series of  large-scale drawings and photographs of the Chapel Notre Dame du Haut by  Le Corbusier, Antoni Gaudi&#8217;s Sagrada Família in Barcelona and George  Wyman&#8217;s Bradbury building in LA.<span id="more-1489"></span></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/kira-lynn-harris/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Dee Dee Halleck</title>
		<link>http://artmattersfoundation.org/dee-dee-halleck</link>
		<comments>http://artmattersfoundation.org/dee-dee-halleck#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:35:39 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[H]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/dee-dee-halleck</guid>
		<description><![CDATA[Support for the Waves of Change video series, a compendium of alternative/citizens/community media projects (radio, television, internet and more) from around the world.]]></description>
			<content:encoded><![CDATA[<p>Support for the <em>Waves of Change</em> video series, a compendium of  alternative/citizens/community media projects (radio, television,  internet and more) from around the world.<span id="more-1487"></span></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/dee-dee-halleck/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Chitra Ganesh</title>
		<link>http://artmattersfoundation.org/chitra-ganesh</link>
		<comments>http://artmattersfoundation.org/chitra-ganesh#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:34:39 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[G]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/chitra-ganesh</guid>
		<description><![CDATA[Support for travel to Tokyo and Kyoto to research graphic storytelling forms Kamishibai and Garo/Seijen.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to Tokyo and Kyoto to research graphic storytelling forms Kamishibai and Garo/Seijen.<span id="more-1485"></span></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/chitra-ganesh/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>LaToya Ruby Frazier</title>
		<link>http://artmattersfoundation.org/latoya-ruby-frazier</link>
		<comments>http://artmattersfoundation.org/latoya-ruby-frazier#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:33:42 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[F]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/latoya-ruby-frazier</guid>
		<description><![CDATA[Support for travel to and research in Edinburgh, Scotland towards the development of a protest computer video game addressing environmental racism, health care corruption and gentrification, with characters based on her Scottish ancestral lineage.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to and research in Edinburgh, Scotland towards the  development of a protest computer video game addressing environmental  racism, health care corruption and gentrification, with characters based  on her Scottish ancestral lineage.<span id="more-1483"></span></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/latoya-ruby-frazier/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Elsewhere Collective</title>
		<link>http://artmattersfoundation.org/elsewhere-collective</link>
		<comments>http://artmattersfoundation.org/elsewhere-collective#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:33:00 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[E]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/elsewhere-collective</guid>
		<description><![CDATA[Support for the development of a collaborative project in Spree Park, an abandoned amusement park in Berlin, Germany.]]></description>
			<content:encoded><![CDATA[<p>Support for the development of a collaborative project in Spree Park, an abandoned amusement park in Berlin, Germany.<span id="more-1481"></span></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/elsewhere-collective/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Rachel Naninaaq Edwardson</title>
		<link>http://artmattersfoundation.org/rachel-naninaaq-edwardson</link>
		<comments>http://artmattersfoundation.org/rachel-naninaaq-edwardson#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:32:16 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[E]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/rachel-naninaaq-edwardson</guid>
		<description><![CDATA[Support for travel to the Inuit Circumpolar Conference in Greenland to film the Inuit communities&#8217; public resolution of sovereignty and to collaborate with artists from Alaska, Canada, Greenland and Russia.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to the Inuit Circumpolar Conference in Greenland to  film the Inuit communities&#8217; public resolution of sovereignty and to  collaborate with artists from Alaska, Canada, Greenland and Russia.<span id="more-1479"></span></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/rachel-naninaaq-edwardson/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ben Coonley</title>
		<link>http://artmattersfoundation.org/ben-coonley</link>
		<comments>http://artmattersfoundation.org/ben-coonley#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:31:36 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[C]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/ben-coonley</guid>
		<description><![CDATA[Support for travel to Hong Kong for the creation of a video docu-drama involving an x-phi study that examined whether different cultures tend to be moral absolutists or moral relativists.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to Hong Kong for the creation of a  video docu-drama involving an x-phi study that examined whether  different cultures tend to be moral absolutists or moral relativists.<span id="more-1477"></span></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/ben-coonley/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Tiffany Chung</title>
		<link>http://artmattersfoundation.org/tiffany-chung</link>
		<comments>http://artmattersfoundation.org/tiffany-chung#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:30:20 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[C]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/tiffany-chung</guid>
		<description><![CDATA[Support for a collaborative performance/video project by the Vietnam-based artist and Tokyo-based art collective Nibroll, involving youth culture in Vietnam and Japan.]]></description>
			<content:encoded><![CDATA[<p>Support for a collaborative performance/video project  by the Vietnam-based artist and Tokyo-based art collective Nibroll,  involving youth culture in Vietnam and Japan.<span id="more-1475"></span></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/tiffany-chung/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Dave Bryant</title>
		<link>http://artmattersfoundation.org/dave-bryant</link>
		<comments>http://artmattersfoundation.org/dave-bryant#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:29:07 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[B]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/dave-bryant</guid>
		<description><![CDATA[Support for the artist&#8217;s trek through Annapuma Himal of central Nepal and the creation of a feature length narrative video travelogue.]]></description>
			<content:encoded><![CDATA[<p>Support for the artist&#8217;s trek through Annapuma Himal of central Nepal  and the creation of a feature length narrative video travelogue.<span id="more-1473"></span></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/dave-bryant/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Janet Biggs</title>
		<link>http://artmattersfoundation.org/janet-biggs</link>
		<comments>http://artmattersfoundation.org/janet-biggs#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:28:21 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[B]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/janet-biggs</guid>
		<description><![CDATA[Support for travel to Spitsbergen in the Artic to create a new video exploring gender roles in polar exploration.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to Spitsbergen in the Artic to create a new video exploring gender roles in polar exploration.<span id="more-1471"></span></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/janet-biggs/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Yto Barrada</title>
		<link>http://artmattersfoundation.org/yto-barrada-2</link>
		<comments>http://artmattersfoundation.org/yto-barrada-2#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:27:21 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[B]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/yto-barrada-2</guid>
		<description><![CDATA[Support for MIA THE MECHANIC, a photo storybook for girls in Arabic, French and English created by the Morocco-based artist in collaboration with American filmmaker, writer and graphic designer Sean Gullette.]]></description>
			<content:encoded><![CDATA[<p>Support for <em>MIA THE MECHANIC</em>, a photo  storybook for girls in Arabic, French and English created by the  Morocco-based artist in collaboration with American filmmaker, writer  and graphic designer Sean Gullette.<span id="more-1469"></span></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/yto-barrada-2/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Rheim Alkadhi</title>
		<link>http://artmattersfoundation.org/rheim-alkadhi</link>
		<comments>http://artmattersfoundation.org/rheim-alkadhi#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:24:27 +0000</pubDate>
		<dc:creator>pennyh</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[A]]></category>
		<category><![CDATA[Recent Grantees]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theinteractionauts.com/artmattersfoundation/rheim-alkadhi</guid>
		<description><![CDATA[Support for travel to Syria and Jordan to conduct interviews with displaced Iraqis, including members of the artist&#8217;s extended family, towards a series of experimental videos.]]></description>
			<content:encoded><![CDATA[<p>Support for travel to Syria and Jordan to conduct  interviews with displaced Iraqis, including members of the artist&#8217;s  extended family, towards a series of experimental videos.<span id="more-1465"></span></p>
]]></content:encoded>
			<wfw:commentRss>http://artmattersfoundation.org/rheim-alkadhi/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
