Rasheed is a learner with interests in rituals of concealment, revelation, and languaging across all species and galaxies. With a focus on Black storytelling, Islamic mysticism, ecology, and algorithmic processes, I am interested in translation (and the impossibility thereof), the erotics of [un]learning, and mutability.

Rasheed is also a 2022 Betty Parsons Fellow.

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Featured Image: Kameelah Janan Rasheed, i am not done yet, 2022. Solo at Kunstverein Hannover (Hannover, DE). Archival Inkjet Prints, Vellum, Xerox Paper, Acetate, Plexiglass, Acrylic, Watercolor, India Ink and Oil Stick Painting, Video. Courtesy of the artist.