Natalie Ball
2018
Fellowship.
Currently, I am exploring gesture and materiality to create sculptures as Power Objects. I offer my objects as proposals of refusal to complicate an easily affirmed and consumed narrative and identity, without absolutes. I believe historical discourses of Native Americans have constructed a limited and inconsistent visual archive that currently misrepresents our past experiences and misinforms current expectations. I excavate hidden histories, and dominant narratives to deconstruct them through a theoretical framework of auto-ethnography to move “Indian” outside of governing discourses in order to build a visual genealogy that refuses to line-up with the many constructed existences of Native Americans. My goal is, for my art to lend itself as new texts, with new histories, and new manifestations, to add to the discussion of complex racial narratives that are critical to further realizing the self, the nation, and necessarily, our shared experiences and histories.