My practice is rooted in painting and investigates form as a mode of critical engagement. It comprises both individual and collaborative work, but as a feminist I am striving to undo such binaries and to challenge existing notions of authorship and subjectivity. Feminism’s most pressing challenges continue to be structural: Why would one be a feminist if not to make the relations and, generally, the world one wants in a real and applied way?

Featured Image: Cover, Herstory Inventory: 100 Feminist Drawings by 100 Artists, 2014.